DJ Rachael: Queen of the turntables

The tomboy in her is unmistakeable. The dread-locked deejay walks with a spring in her relatively heavy boots, wears pants and hardly carries handbags like the average girl does. She likes to travel light and if need be, she will carry a backpack.

Deejay Rachael Kungu is one of the local pioneer female deejays in the country whose career spans two decades. When she cut her teeth in the trade, late 1994, it was almost unheard of seeing a female deejay behind the turntables. She would escape from home, tell a lie, just to go learn how to mix music and handle the music equipment.

The genesis
This is a passion that was ignited by DJ Spinderella (Deidra Muriel Roper ), an American deejay who came to play at Hotel International in Muyenga. Rachael was only 13 and admired the way this turntable ace did her thing.
On top of spinning the wheels of steel, Spinderella would rap. The combination of the two and how she pulled off a fused act of rap and mixing music made the little girl look on in awe.

“I could not imagine a girl spinning discs. But then again I wanted to rap not deejay,” she recalls, running her hands through her neat dreadlocks. She kept in school but the desire to get her musical abilities known kept burning inside her.

At the time, Hotel International Muyenga was popular for its day-time parties that were frequented by teenagers. Rachael was one of many teenagers that attended the groovy get-togethers. She became part of Muyenga Youth club.
That is where she was introduced to big acts back then, such as Salt-n-Pepa, Roxanne Shante, MC Lyte, Run–D.M.C and Kid N Play. She did not just dance to the music; the youngster also started internalising the lyrics of these international stars’ songs and raps.

One step at a time
Little did she know that rapping would earn her a place behind the deejays’ box at a top club in town. She would tell her mother lies in order to go to Club Pulsations and learn deejaying from deejay Wasswa Junior.
“I would tell her that I was going out to visit my friends,” she recollects. At night, she was accompanied by her cool uncle, to club, so her mother was sure she was safe. Even then, she was still too young to be doing night gigs.
“It was crazy but I was crazier and I knew what I wanted,” the lanky deejay adds. However, Wasswa and the other in-house deejays scolded her when she initially visited but began treating her better like their young sister, with time.
This was after she went behind the turntables and mixed for revellers for the first time. She held her forte and the crowd got excited seeing a small-bodied girl smiling their way as she did her thing.

Naturally, for a young girl, and the only one at that working in a nightclub, there were men who wanted to take advantage of Rachael. Her defence was her tomboy demeanour that made her come off as just one of them- the men.
She further recounts, “Instead of hitting on me, they confided in me about their conquests and we would have a good laugh. I teased the few who wanted to take advantage. They realised I was no push-over and so made me their friend in the end.”

Working with others
Whereas deejay Wasswa taught her almost all she knows, deejays Alex Ndawula, Kato, the late deejay Berry, and Junior all helped mentor the young deejay. When she could stand on her own, other club owners started offering her opportunities to work at their club.

When she left Pulsations, she joined Club Silk where she honed her craft officially and more professionally. She was there for more than eight years. During the long tenure, she would be would get contracts to play at parties, public and private parties. She would also play at Club Sombreros in Jinja, be hosted at Florida 2000, at Carnival in Nairobi and Stone Club in Mwanza.

Her firsts
There were some firsts too. “I was the official deejay at the launch of the Fanta Bamboocha brand in East Africa. I was honoured to play at the Akina Mama wa Africa ‘African women’s conference’ in Munyonyo too in early 2000.” She featured at the Red Rat concert and was the official deejay at Wayne Wonder, Demarco concert in Kampala.

Away from deejaying
On the side, Rachael has also tried her talent as a singer. She made Tumuwe Akalulu, a song for the presidential campaign in 2010. “I have done anti-malaria songs with the Ministry of Health which were featured on the malaria days in 2009 and 2010,” she says.

She has been host deejay for the Irish St. Patrick’s Day for two years and has played for the Italian ambassador on several official Italian days since 2012.

Deejay Rachael is a deejay at the Bayimba International Foundation and she has played on several of the Silent Discos at Uganda National Cultural Centre (National Theatre).

She is currently part of the Nairobi-based Santuri Safari East Africa Deejays. “We produce and remix East African sounds and perform the songs on festivals all over East Africa. We are re-identifying reinventing and reinvigorating East African musical sounds,” she says.

She has also mixed music at the Sondeka Festival in Kenya, DOADOA – the East African Performing Arts market and Nyege Nyege Festival in Jinja last year.

What makes her continuously relevant
Deejay Rachael says she is constantly reinventing herself. She goes with the trends while keeping her focus on the good music. She is now a music producer. She trains with others to further her ambition to grow .
Still in the same line, she is starting a new workshop with the German Zentrum to teach girls deejaying and pass on production skills. She connected with German Zentrum through the Santuri brand, a collective of deejays and music producers in Uganda, Kenya and Tanzania.

She explains that under Santuri, they create spaces for musicians to come together and play their local instruments or sing. The songs are then remade for the clubs. Many deejays have been trained in music production. Rachael is certain the efforts undertaken will change the way the world listens and looks at East African music since it will get identity. Deejays Ivo, Dark Meme and producer Jude are the other beneficiaries of the project. Joel Sebunjo, Giovanni Kremer Kiyinji and Bantu Clan are also being trained under the project.

Working with Kenyan artiste Makadem, Sarabi Band and Zawose Band from Tanzania are the other projects Rachael lists as her other career highlights. She is grateful that deejaying can put food on the table and also enable her achieve more.

She has a mobile sound system and owns Scraych Rekords, an audio studio. Rachael handles sound and provides music at events such as weddings where she commands her own deejay fees.
“I built the sound system slowly bit by bit but I think I have invested around Shs20m in it. As a deejay, I charge depending on the event, from Shs250,000 to more than Shs1m. I also assembled the studio in bits but I think it has cost me around Shs15m,” she reveals.

The travel opportunities continue to come her way. She is soon embarking on a European and American tour.
Away from deejaying, Rachael is a fun-loving person. “I play football with my boy, produce music, watch football, discovery channel and animated movies. I also enjoy swimming, doing sundowners, just chill by the lakeside or invite friends for karaoke at my place,”she says. She is in a relationship but prefers not to say much about it since she likes privacy.

Challenges
DJ Rachael thinks deejaying is a more respectable profession today than it was back in the day. She adds that it needs to be beaten into a progressive line. “New deejays frustrate the more established ones by taking peanuts as pay in order to fit into the system and make a name. There is no recognised minimum wage for deejays so employers take advantage of this. It is still growing but there is hope,” the veteran turntable queen observes.
Music genre. Afro-house, hip-hop and dance because of the hype and energy.
Last book she read.eBooks on music production

What others say about deejay Rachael

“ She is a hardworking woman and a legend. I have heard of her since I was in school. We have never met in person but she has been popular since back then. She is a good deejay. I have learnt from her to stay focused since she has been around for some time and is still standing tall. Nothing puts her down. She is a fighter. She laid a foundation for us female deejays. Thumbs up for her.

Dj Pofia

“ I do not exactly remember the year we met but what I recall is that I met her at Club Silk. She was and is still good at what she does- deejaying. She is friendly. At the time, she never interacted closely. I was playing in Silk Royale while she played in the Oxygen section. She is respected as a pioneer female deejay. She has a really good music selection

Dj emma

“ She is good at her job. Even when she was starting out at Club Pulsations, she was one person that was very quiet. She was not loud but when she started doing music, she did very well. We don’t hang out together anymore but I know she is doing well.

Dj Alex Ndawula

Her favourite djs
As a veteran, she has her favourite deejays from new blood.
“I like deejay Roja because he is very versatile and he is a crowd puller. Slick Stuart is much organised and has focused on his own path. Dark Meme strays from the norm and dares the Ugandan crowd and plays into his own style of Afro eclectic sounds,” she says of her favourites.